Yoonjung Seo 徐胤晶

PRESENTATIONS AND LECTURES (SELECTED)

• Suzhou Print of Old Chinese Palaces and Screen of Han Palace in Joseon Dynasty: Its Possible Relationship, 中国版画研究会, 海の見える杜美術館, Feburary, 1st, 2020.

• “1910-1920년대 식민지 시대의 벽화: 전통과 근대, 공공성과 예술의 담론 사이에서,” 인문과학연구소 추계학술대회 2019년 9월 26일

•  “조선후기 외교 선물로 전해진 서양의 예술과 물질문화: 정조대 사행을 중심으로,” 미술사학연구회 추계학술대회 2019년 9월 7일

• “Who Cares Korean Art?  Understanding of Joseon Paintings by the Kano Painters in the Edo Period,”「狩野派與中國」工作坊議程, Academia Sinica,  August, 27th, 2019.

• “Exploring Alternative Narratives: New Directions in Overseas Exhibitions of Korean Art, Museum Network Fellowship Colloquium, National  Museum of Korea, July, 17th, 2019.”

• “Art, Science, and Exotica: Diplomatic Gifts from China to Korea in the Eighteenth Century,” The Art of Diplomacy Material Culture and the Practice of Gift Exchanges in the Late Joseon Dynasty, International Workshop, Freie Universität, June, 28th, 2019.

• “ 세계를 담다: 조선후기 채색 필사본 세계지도병풍 연구,” 2019년 한국미술사학회 춘계학술대회, 한국학중앙연구원, 2019년 4월 27일

• “구미 소장 조선 후기 궁중 회화 : 유물의 출처와 이동의 관점에서,” 미술사와 문화유산 추계학술대회 2018년 10월

• “Remembering the Imjin War: Contesting Meaning and Refracted Memory,” Art and War: The Japanese Invasion of Korea of 1592-1598, ”Annual Conference of the Association for Asian Studies, March, 2018 (Panel organizer)

•  “Secular Images and Materiality in Koryŏ Buddhist Painting,” The History of Buddhist Art Exchanges in East Asia in the 10th -14th Century, Zhejiang University and the Korean Foundation for Advanced Studies, December, 2017.

• “Suzhou Prints and Paintings as Inspirations for Chosŏn Court Painting,” The Second Conference of European Association for Asian Art and Archaeology, Zurich, August, 2017.

• “The ‘Exotic Others and Foreign Curiosities in Visual Culture of the Late Chosŏn Dynasty,” Pathway to Korean Art History, Center for Korean Studies, University of California, Los Angeles, June 3, 2017.

• “King Chŏngjo (r. 1776-1800) and His Political Ambition Represented in the Royal Garden:

• Focusing on Gatherings at the Jade Stream in Ch’angdŏk Place,”

• Transplanted Place: Garden Design and Shifting Cultural Geographies 1650-1800, A Transcultural Perspective,”Kunsthistorisches Institute, Freie Universität, June, 2017

• “Open Stream: King Yŏngjo’s Dredging Project of Ch’ŏnggye Stream in 1760 and Its Visual Record,” The 28th Annual Conference of the Association for Korean Studies in Europe, Prague, April, 2017

• “Introduction to the History of Korean Art,” Culture Cuts, Cody Choi, Kunstsammulngen Chemnitz, April, 2017

• “Exotic Others and Foreign Curiosities in Visual Culture of the Late Chosŏn Dynasty,” Third Korean Art History Workshop “Reception, Transformations and Innovations: Transcultural Discourse in Korean Art,” Korea Institute, Harvard University, December 2016.

• “The Ways of Kings and Confucian Kingship in the Late Chosŏn Dynasty: Focusing on Water Themed Paintings,” ZJU-FUB-PKU Joint Workshop, Art and the Image of Water: a Carrier of Culture and Spirit, Department of Fine Arts at Zhejiang University, China, June 2016.

• “Chinese Images for Commemorative Painting in the Late Joseon Dynasty: a Transcultural Approach to Joseon Art and Visual Culture,” Asian Studies Conference Japan, International Christian University, Tokyo, July 2016  

• “The Place of “Exotic” Others and Foreign Curiosities in Eighteen-Century East Asian Visual Culture,” AAS-IN-ASIA Conference, Doshisha University in Kyoto, Japan, June 2016

• “Chinese Empire in Late Chosŏn Visual Culture: Illusion and Reality of Sinocentrism in Korea,” the 12th ISKS International Conference of Korean Studies, University of Vienna, Austria, August 2015

•  “Does the Nationality of Artists Matter? Goryeo Buddhist Paintings in Japan,” Transnational Cultural Interactions between Korea and Japan, From the Pre-modern to the Colonial Period, The Hebrew University of Jerusalem, Israel, May 2015

•  “Imitation, Appropriation and Refusal of Other Culture: The Circulation and Reception of Chinese Images in Chosŏn Court Art, Korea.” Intercultural Perspective of Korean Art, Freie Universität, Germany January 2014.

• “The Sacred Past and the Celebrated Present: Chinese Figural Subject in Commemorative Court Paintings of the Chosŏn dynasty in Korea,” East Asia Center Lecture Series, University of Virginia, Charlottesville, VA, January 2014.

• “Materiality, the Artist, and the Biography of an Object: Reconsidering Nineteenth Century Chosŏn Court Painting,” College Art Association Annual Conference, Chicago, IL, February 2014   

• “Visual and Material Culture of the Late Chosŏn Court Art: Re-reading 18th-century Court screens,” The Ninth Worldwide Consortium of the Korean Studies Centers Workshop, Beijing, China, July 2013

• “Delegation Paying Tribute to the Court: Images, Ideas and the Representation of Empire in the Late Chosŏn Court,” Association for Asian Studies Annual Conference, San Diego, CA, March 2013

• “Envisioning the Empire in the Late Chosŏn Court, Korea: Envoys Paying Tribute to the Court,” KSI & EASC Graduate Student Symposium, University of Southern California, Los Angeles, CA, November 2012

• “The Confucian Rhetoric of Sage Kingship and Chinese Utopian Images in Late Chosŏn Court Painting,” Annual Columbia Graduate Student Conference on East Asia, Columbia University, New York, NY, February 2012

• “The Six Wall Paintings of Ch’angdŏk Palace: Compromising the Uncompromised,” Harvard East Asian Society Graduate Student Conference, Harvard University, Cambridge, MA, February 2012

• “King Yŏngjo’s Royal Banquet of 1766: Royal Authority and “Chinese Beauty” in Commemorative Court Painting,” Power, Status and Space in East Asian Art, Harvard-Yenching Conference, Harvard University, Cambridge, MA April 2012

• “The Propagandistic Role of the Banquet of Sŏwangmo (Xiwangmu), the Queen Mother of the West in the Late Chosŏn Court,” Heidelberg Colloquies on East Asian Art History, Heidelberg, Germany, July 2011