Introduction to the Paintings of Chosŏn Korea in One Day
Jaebin Yoo 劉宰賓
弘益大學美術史系
Yoo is an assistant professor in Hongik University. dep. of Art history, Korea. She was a visiting fellow in Harvard-Yencing Institute in 2012-2014. She received Ph.D. in art history from Seoul National University in 2016 (doctoral thesis: “The Court paintings in the Era of King Jeongjo”). She expanded her research on the Korean court paintings to different periods, before and after Jeonjo, focusing on the political agency of the kings and royal family. Recently, she is working on two projects; one is a comparative approach to two leaders, Qianlong in China and Jeongjo in Korea, who both actively fashioned himself as a true patron of art and learning in 18th century and the other one is a research on the portraits of the first king in Joseon which exerted lasting influence and efficacy throughout 500 years of Joseon dynasty.
ACADEMIC APPOINTMENTS
2017- Assistant Professor, Dept. of Art History, Hongik Univ.
2009-2016 Lecturer, Dept. of Archaeology Art History, Seoul Nat’l Univ.
2012-2014 Visiting fellow Harvard-Yenching Institute.
EDUCATION
2016 Seoul National University, Seoul, South Korea Ph.D., Art History.
2004 Seoul National University, Seoul, South Korea M.A., Art History.
2001 Seoul National University, Seoul, South Korea B.A., Archaeology and Art History.
DISSERTATION
Court Paintings in the Era of King Jeongjo
RESEARCH INTERESTS
Joseon Court Paintings. Joseon-Qing Relationship, Historical painting.
Court rituals and culture
PUBLICATIONS
2020. “Qianlong’s Many-Treasures Boxes and Qing Court Painting”, Misulsawa sigakmunhwa (Art History and Visual Culture) 25, pp.64-99; 「 건륭제(乾隆帝)의 다보격(多寶格)과 궁정 회화」, 『미술사와 시각문화』25, 미술사와 시각문화학회, pp.64-99.
2020. “Production and Appreciation of the Poetry and Paintings of Zuxi's Wuyi(武夷) in Joseon dynasty －Focused on Kang Sehwang's Muyigugogdo(武夷九曲圖)”, Hanguksasangsahak(Study of Korean History of Thoughts) 65, pp.73-108; 「「무이도가」와 <무이구곡도>의 상호 읽기 －강세황에게 주문한 이익과 남하행의 무이구곡도를 중심으로」, 『한국사상사학』 65, 한국사상사학회, pp.73-108.
2020. “Ch'oe Puk, The Birth of Eccentric Artist”, Daedongmunhwayeongu 109, pp.33-69; 「최북(崔北), 기인(奇人) 화가의 탄생」, 『대동문화연구』 109, 성균관대학교 대동문화연구원, pp.33-69.
2020. “Political Implications of Court Art Under King Jeongjo: Aesthetics and Production of King Jeongjo’s Visit to Hwaseong”, Korea Journal 60, pp.371-406
2020. “Impromptu Gifts: Diplomatic Function of Paintings by Joseon Painter-Envoys to Japan”, AAS-in-Asia 2020.
2019. “Retrospect and Prospect of Korean Art History, 2017~2018”, Yeoksahakbo 243, pp.415-450; 「한국미술사, 주제의 확장과 인식의 심화: 2017년~2018년의 한국미술사 연구」, 『역사학보』 243, 역사학회, pp.415-450.
2019. “The Ritual and Flowers in Joseon Dynasty -Focusing on the 'Flower Offering Rite', Jinhwa”, Misulsahak (Art History) 38, pp.71-105; 「궁중행사도와 의궤도를 통해 본 조선시대 연향과 채화(綵花)-진화의식과 잠화를 중심으로」, 『미술사학』 38, 한국미술사교육학회, pp.71-105.
2018. “Representation and Politics of Royal Banquet in the 19th century Joseon dynasty - Focused on Crown Prince Hyomyeong and Gichuk Jinchando” Misulsahak (Art History) 36, pp.105-132; 「19세기 왕실 잔치의 기록과 정치-효명세자와 《己丑進饌圖(1829)를 중심으로)」, 『미술사학』36, 한국미술사교육학회, pp.105-132.
2018. “Visual Strategy in the Royal Protocol : Illustrations in Wonhaeng-ulmyo-jeongri-uigwe” Gyujanggak 52, pp.187-217; 「『園幸乙卯整理儀軌』圖式, 그림으로 전하는 효과와 전략」, 『규장각』52, 서울대학교 규장각 한국학 연구원, pp.187-217.
2017. “The Map of Memory from a Father : King Jeongjo`s Commemorative Project and Paintings on Historic Sites of Crown Prince Sado” Misulsayeongu (Study of Art History) 33, pp.7-37; 아버지에 대한 기억의 지도 -정조의 사도세자 추숭 작업과 事蹟圖」,『미술사연구』33, 미술사연구회, pp.7-37.
2017. “The Task and Achievement of Chabi daeryeong hwawon (Painters in Waiting to the Court) in the Era of King Jeongjo (r. 1776-1800) ” Misulsawa sigakmunhwa (Art History and Visual Culture) 19, pp.66-97; 「정조대(正祖代) 차비대령화원(差備待令畵員)의 업무와 실상」『미술사와 시각문화』19, 미술사와 시각문화학회, pp.66-97.
2017. “King Jeongjo’s Reformation of Personnel System and The Appointment Ceremony in the Year of Eulsa(1785) ” Hanguk munhwa (Korean culture) 77, pp. 193-233; 「정조의 중희당 친림도정의 의미와 <乙巳親政契屛>(1785)」, 『한국문화』77, 서울대학교 규장각 한국학연구원, pp. 193-233.
2016. “Jeongjo`s Political Resolution and Installation Ceremony of Crown Prince Munhyo” Misulsawa sigakmunhwa (Art History and Visual Culture) 17, pp. 90-117; 「정조의 세자 위상 강화와 <문효세자책례계병>(1784)」, 『미술사와 시각문화』17, 미술사와 시각문화학회, pp. 90-117.
2016. “Representation of Dosan Confucian Academy in the 18th Century -Paintings of Dosan by Kang Sehwang and Jeong Seon” Toegyehakbo 139, pp. 147-197; 「18세기 도산서원의 회화적 구현과 그 의미 -姜世晃과 鄭敾의 陶山書院 그림을 중심으로」, 『퇴계학보』 139, 퇴계학연구원, pp. 147-197.
2013. “The Politics of Art under King Jeongjo.” In Grand Style, San Francisco Asian Art Museum, pp. 90-111.
2012. “The Politics of Clebration ─ A Study of Congratulatory Ceremony Offered to the King(Jinhado, 陳賀圖, National Museum of Korea)” Dongak misulsahak (Dongak Art History) 13, pp. 181-200; 「국립중앙박물관 소장 <陳賀圖>의 정치적 성격과 의미」, 『동악미술사학』 13, pp. 181-200
2011. “Study of the Rites for the Royal Portraits of Eighteenth-Century Joseon Korea.” Misulsawa sigakmunhwa (Art History and Visual Culture) 10, pp. 74-99; 「 조선 후기 어진 관계 의례 연구-의례를 통한 어진의 기능분석」, 『미술사와 시각문화』 10, 미술사와 시각문화학회, pp. 74-99.
2011. “The Portraits of King Jeongjo and His Loyal Subjects: Establishing Loyalty in Portraiture.” Misulsahak yeongu (Korean Journal of Art History) 271, pp. 145-172; 「정조대 어진 제작과 신하초상-초상화를 통한 군신관계의 정립」, 『美術史學硏究 』 271, 한국미술사학회, pp. 145-172.
2011. “The Practical Use of Paintings and Jugyo do (舟橋圖, Illustration of Boat-Bridge) in the Era of Jeongjo.” Hangukhak Geurim gwa Mannada (Encountering of Korean Study and Painting); 「정조대 실용적 회화와 <주교도>」, 『한국학 그림과 만나다』, 태학사.
2009. “Painting of Retaking the Pyeongyang Fortress from Japanese Invaders.” Joseonsidae Inmulhwa (Figure Paintings of the Joseon Dynasty) (Seoul: Hakgojae);「평양성탈환도(平壤城奪還圖): 왜적으로부터 평양성을 되찾다」, 『조선시대 인물화』, 학고재.
2008. “Politics of Commemoration and the Representation of Royal Authority : King Jeongjo’s Commemorative Projects For King Danjong and the Significance of Woljung-do (越中圖, Landscape of Yeongweol).” Misulsawa sigakmunhwa (Art History and Visual Culture) 7, pp. 260-291;「추모의 정치성과 재현-정조대 단종 사적 정비와 《 월중도 》」, 『미술사와 시각문화』 7, 미술사와 시각문화학회, pp. 260-291.
2006. “Study of "Dosan do (陶山圖: Painting of Mountain Do): The Historical Site and Memory of the Sixteenth-Century Scholar-Recluse Yi Hwang.” Musulsahak yeongu (Korean Journal of Art History) 250·251, pp. 187-212; 「陶山圖」, 『美術史學硏究 』 250·251, 한국미술사학회, pp. 187-212.